Henri Matisse Red Room Harmony In Red

1 matisse must have felt that too.

Henri matisse red room harmony in red.

The colour selection generates a feeling of warmth and comfort whilst contrasting richly and intensely with other elements within the composition. Harmony in red the red room 1908 is considered by some art historians to be matisse s masterpiece matisse was greatly influenced by the post impressionists van gogh gauguin paul cezanne and van gogh was an ardent admirer of japanese art and motifs he developed his style using areas of flat brilliant and often unnatural colour and invariably outlined his forms in a manner. The artist himself called this a decorative panel and it was intended for the dining room in the moscow. Harmony in red is a painting by french artist henri matisse from 1908 it is considered by some critics to be matisse s masterpiece.

In his paris studio with its windows looking out over a monastery garden in 1908 matisse created one of his most important works of the period 1908 1913. France 1908 in his paris studio with its windows looking out over a monastery garden in 1908 matisse created one of his most important works of the period 1908 1913. Henri matisse painting oil on canvas 180 5x221 cm. 1869 1954 red room harmony in red france 1908.

Harmony in red was originally commissioned as harmony in blue but matisse was disappointed with the result so painted over it with his preferred red. In 1908 he painted his famous harmony in red which although the scene resembles a dining room is really a view of the artist inside his studio inside. This fauvist painting follows the example set by impressionism with the overall lack of a central focal point. Henri matisse the dessert harmony in red 1908 the hermitage museum matisse is one of the leading figures in modern art.

Henri matisse referred to his painting the harmony in red almost dismissively calling it a decorative panel and like a piece of ornamental furniture he scattered the massive canvas with arabesques and floral pattern a dining room scene with no conventional focal point and a strangely flattened perspective. The painting was commissioned as harmony in blue but matisse was dissatisfied with the result and so he painted it over with his. This painting went through three stages first it was painted green then it was ordered blue but it was finally painted over with matisse s preferred red.